By Wilma De Jong
What does it suggest to be a documentary filmmaker in state-of-the-art international? How are new applied sciences altering documentary filmmaking? What new varieties of documentary are rising?
Recent technological advancements have made the making and distribution of documentary movies more straightforward and extra common than ever sooner than. Creative Documentary: concept and Practice is an leading edge and crucial advisor that comprehensively embraces those altering contexts and offers you with the tips, equipment, and important figuring out to aid winning documentary making. It is helping the aspiring 'total filmmaker' comprehend the modern contexts for construction, equipping you furthermore mght with the certainty of creativity and visible storytelling you have to to excel. Bridging the space among thought and perform, it outlines the modern, institutional, functional and monetary contexts for creation - constantly encouraging innovation and originality.
- Five sections overlaying creativity and artistic documentary and the modern artistic industries: thoughts for constructing documentary principles; the paintings of documentary narrative; electronic creation tools; new documentary varieties; distribution and financing.
- Provides a complete assessment of serious notion and methods in electronic documentary filmmaking.
- Authors and expert participants mix the event, wisdom and abilities of lecturers and media pros operating within the undefined.
- Practical case reports help research and mirrored image.
- Exercises, checklists, interviews with execs and extra interpreting fabrics accompany every one bankruptcy.
- A old evaluation of worldwide documentary.
Creative Documentary: thought and perform is an important consultant for these engaged within the examine and perform of documentary idea and making, in addition to key examining for these extra largely drawn to video, movie and media idea and production.
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Extra resources for Creative Documentary: Theory and Practice
The context for the creative practices of documentary filmmakers is very different from 10 years ago. In the next chapter we will consider the creative industries in more depth, but here we will analyse the practices themselves. Brad Haseman (in Hartley, 2005: 167) distinguishes five different characteristics of creative practices in the contemporary creative industries. 1. Creative practices involve interactivity YouTube, 4Docs, MySpace are typical examples where audiences can interact with media content.
Often you have the feeling you are part of a personal conversation – or is it eavesdropping? Clearly, this method of working has been made possible by small digital cameras which make it easier for her to work on her own and create a very intimate relation to subjects. This sense of closeness to her main characters gives audiences insight into their daily lives and the choices they make. Inspired by the possibilities or impossibilities of technology, circumstances or just an idea, a novel approach can be found.
It illustrates the fact that the aim of representing the real has been tainted by fundamental ideological positions of that period in history and those documentary filmmakers’ preoccupations and ambitions. Notwithstanding their aim of ‘representing the real’, they were not free of these ideological notions. It meant that what was represented in the documentary tradition was also the concerns most relevant to men. However, more women and filmmakers from different ethnic backgrounds have started to enter the field of documentary film production.